that’s a very lovely guitar! :blush:

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I really like it. But I love the tele aesthetic. The thing that drew me to this was no tone knob. I never use this as I set my tone through overdrive pedals and the anp. The neck feels ace, comfortable c profile. I am yet to be convinced that the locking tuners are a good idea, I have found it loses tuning frequently so may swap them out for grovers from my old guitar. Stock pups are legitimately terrible though.

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If it’s going out of tune I doubt it is the tuners, there’s not really a whole lot of possibility of string slippage in most locking tuners.

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I’ll need top troubleshoot. Have put some nice strings on it now, so maybe that will cure it :smiley:

Recording some jazz / blues today on my only vintage instrument. 1979 Yamaha SG2000. Kind of like a Les Paul but with better upper fret access and a tummy contour so it’s more comfortable to play. I’ve had a fair amount of work done on this guitar, it was refretted last year with Evo Gold jumbo frets. I swapped the pickups for a pair of Bareknuckle Abraxas and also redid the electronics completely so it’s got push-pull pots for coil split on each pickup, in/out of phase, and series/parallel switching. One thing I feel it still needs is a treble bleed circuit since it loses a lot of high end when you roll down the volume.

I should add that it weighs a ton, nearly 13 lbs. Hence the extra thick padded strap.

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How do you find the bare knuckles? I hear a lot of good things about them.

They are great. A bit on the pricey side as far as pickups go, but I was able to customize the appearance to match the originals that should have been on the guitar but were replaced by the previous owner. Because there are so many options I emailed BKP for a recommendation for a vocal sounding pickup that’s not too hot and they recommended the Abraxas. They were basically exactly what I wanted and maintain a good sound when split too.

oh, that is interesting, I always thought Bareknuckles were used for metal and harder styles (djent)

Mine is tucked under the banana stuff.

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They have a lot of pickups that are great for metal, but their lineup includes many different kind of pickups including strat, tele, p90 and all that.

These days with modellers being prevalent I think having high output pickups even for metal is kind of pointless since you can adjust the gain to your liking at any volume, and really hot pickups tend to lose a lot of clarity and dynamics, which you can’t really gain back in post-processing.

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thanks for your reply.this makes a lot of sense

Tuner> Malekko Thicken (chorus)> LS-2 (Loop B: Clean Signal) (Loop A: Luna Audio Basalt (Fuzz)> Malekko Phase)> EQD Life Pedal V2> EAE Model feT (Preamp)> Red Panda Tensor> Boss DD-500> Strymon Flint> Quilter Interblock 45 (Power Amp)> Weber Custom 212 w/ Ferromax Ceramics

Put this together over the past few years because I hated lugging amps around (estradiol reduces your muscle tone quite a bit), so when playing out it’s just Guitar+Board+Cab, and a cable for each. Only changes incoming are that a Reddit acquaintance is building me a custom Life Pedal w/ some different options, and that I wanna replace the Phase with a OBNE Dweller at some point.

My children :sob: -

The Tele is an early 00’s Mexi that I stole from a venue when I was 18 (it was used as an exterior door handle - this thing has been through Literal Hurricanes once or twice a year and the wood/electronics have always worked). Pickups are insanely hot in this, so with the scale length I’ve started to keep it tuned to C# Standard or thereabouts. More or less taught myself everything I know on this guitar, though it wasn’t my first. Amazing workhorse, sounds good on everything, one of my best friends.

The JMJM is a special one - I was gonna built a Partsmaster for my 25th birthday, and when researching components I came across this on Reverb, with the exact configuration I wanted, in painted my fav shade of blue, and for sale under the budget I had. It’s taken me a long time to get used to, since the Tele was my main for 6 years and they feel so different, but we’re getting along very nicely now that I have it strung with 11s. Neck is an AVRI JM pickup, and the bridge is a Novak Telemaster, with the center position wired out of phase like on a Tele. I also have the rhythm circuit wired so that the middle and bridge positions are active there, so there’s an insane range of sounds in this from just swapping between those alone. My only gripe with this guitar is that the volume pot isn’t linear (previous owner used this to play like, actual Jazz), but I’ve been too lazy to swap it.

Pretty much the only other guitars I can see myself wanting are one of the reissue Starcasters (humbuckers in a hollowbody with a Fender neck? Unf), and the Reverend Jenn Wasner Signature, which is my holy grail guitar. If you can’t tell from the sticker on the JM, I’m a huge Wye Oak fan, and that guitar is like someone went into my brain and just crafted the ideal instrument.

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I love that I mentioned this in my post and then scroll up and see it’s gorgeous finish staring back at me!

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Sweet! If you ever get a chance to see that band (wume) and haven’t before they are really great! The drummer is the one who does the art I think, she does these crazy polyrhythms that feel have a similar vibe to the mazy patterns of that. They also have some cool projections and synchronized lights.

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A little cramped up here in the attic. Recording has resumed and guitar and bass corner is wedged between computer and synth rack.
Guitar signal paths -
Pedals > Sans Amp rack > Distressor
Pedals > API lunch box > Distressor
Coming soon - Meris Hedra.
Bass signal paths -
Pedals > Demeter tube DI > Daking EQ > Distressor
Pedals > API lunch box > Distressor

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Slightly off topic but I’m hunting around for the best method to learn scales in all positions, based on 3 notes per string? Something which will lodge itself in my ageing grey matter!

That Tele. Much respect :bowing_man:

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I’ve been going back to using ppooll. It’s fun on an acoustic. I was inspired to start using it again after I found a screenshot of Fennesz’s ppooll enviroment:

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I think technique is important although over time it seems the your needs will vary.
So easy free method of standard 3 note per string stuff begin here
https://jenslarsen.nl/major-scale-3-notes-per-string/

Fast useful in classical style -check out Matt Palmer book

http://www.classicalguitarreview.com/the-virtuoso-guitarist-by-matt-palmer/1549/

3 notes per string including all jazz type things and sweep picking
And arpeggios Tim Miller


Happy noodling

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Learn the notes up and down each single string first. Then to learn the positions, use the standard CAGED approach to visualization.