Unless i’ve missed something or a post has been deleted it looks like that post wasn’t even after one of yours in the thread, and doesn’t seem to be a reply to one of yours at all or make any reference to something you posted, so yeah probably an idea :slight_smile:

I’m just going to say I misunderstood. My apologies. Fixed it all up.

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I’ve been performing with this (predominantly) Make Noise system for 3 years now, with only minor updates to the configuration… A testament to their instrument design!
Just stuck a QPAS in for a gig last weekend, felt a bit odd playing without the Erbe-Verb though (used a pedal instead).
I often swap out the Morphagene for the Phonogene, as I totally adore the PG sound, but prefer the MG for live stuff (apart from the bloody auto-levelling)

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I am using W/ Type, effectively to hit record, and I used one Just Type command to set the amplitude of one of the envelopes to be lower than usual.

Definitely do the Teletype and Just Type studies! I learned a lot quickly that way. After that… for me the key has been to not stress about it. It’s easy to feel like you need to have grand designs with Teletype, but you should let them grow slowly over time. E.g. I’m using a whole script in my patch to take a 5V gate from Ansible and output a 10V “pulse” from one of the CV outs. Eventually I’m sure I’ll write a Teletype scene that involves all of the massive power it has, but for now I’m just going to use it however it’s useful.

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My 90hp 6u is done… for now. :grin:

I just swapped out one of my Peaks for an nRings, and suddenly I’m running out of modulation in my patches! Not always a bad thing though, I tend to keep patching until I run out of sources, so now I have to be a little more deliberate.

I have so much to learn about René and Tempi. I know they hold the key to me being able to perform with just this rack, but they’re both so deep and confusing. The Make Noise videos are great though, and it’s nice that I have my modular right next to the computer now for learning sessions!

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This case is often one I use to focus from the glut of eurorack I have acquired. I find it refreshing to have a smaller, consistent instrument that is self-contained. That said it has gone through some recent changes with new IME MKIII modules and I added Zadar about 10 minutes ago. If Mr. Jaeger releases the Andore Jr module, I will replace the Quadra and expander with two of those.

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Haven’t had a blank slate in over a month… Possibly all year!

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Mutant techno duo set this week. Trying to work within this framework for fun :slight_smile:

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It’s nice, every now and then, to unplug it all and give the synth a clean. These are beautiful objects, my friends!

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super excited for thursday :smiley: :smiley: :smiley:

Reshuffle things to get the QPAS mounted:

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Getting very close to what I want :). Feeling very happy about the system now after about 5 years of changes. Mainly PP, the Doepfer switch, Stages and Morphagene slightly up for debate at the moment :). And a new external mixer coming soon.

(Patch partly pulled out, selling the pedal I/O as the new mixer will handle sends.)

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Went through some heavy upgrades recently

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This photo makes me want to move my Eloquencer into its own case. It definitely makes for a strong Pod candidate.

you may want to, if you have a small-ish case as I do.
I have the eloquencer since a year or so but I don’t use it all the time, I mostly improvise the rhythmic patterns with the launch codes (excellent module).
optional standalone sequencing pod = logistically appropriated.

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I have a biggish setup (18u), but I feel breaking the Eloquencer out would give me more comfortable access.

Interesting that you use it in a more improvisational way. I tend to use it when I’m engaged in more “intentional” or conventional writing. It’s great that it can support such a range of applications!

intriguing. what’s to the left of FH-1?

Indistinct photo of my eurorack’s first live outing at the first Cementimental gig for a while in Leeds the other day. Was fun and loud, tho I had the typical hearing-it-thru-the-pa-rather-than-headphones soundcheck experience of realising i could just as well have brought only the right hand half of this setup and still made some amazing harsh noise :smiley:

contact mic’d tape measure into Mikrophonie is a great but dangerous noise instrument, should wear gloves next time

Don’t have space for my pedal in/output module in this little rack but discovered that it’s basically unnecessary for this sort of thing, as the aux send from my mixer can go more than hot enough to put into the eurorack for feedback etc.

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Antumbra Klik, a simple 16-step trigger sequencer with clock in, reset in, trigger out. Nice pair for 2hp Arp or anything else that takes in clocks/trigger sequences.

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