I have several ways of patching the 208 (Easel is the combination of a 208+218) and other modules together, depending on the sonic character needed. While the inter-module CV patching is obvious, the 208 has two duplicate audio outputs on the front panel, plus another two on the side of the LEM case, and one external audio input on the front panel. For denser sound verging, or falling well into feedback, I can route the 208 through the lower modules and back into the 208’s external input, effectively creating a controllable signal feedback loop. To maintain more sonic separation, I can treat two of the 208’s outputs through subsequent modules, or leave it unaltered, and use the 292h as a master mixer, recording directly off of it’s summed output.
Several albums over the past few years have exclusively used this compact system. Fusiform is the most recent, preceded by Drift.
Hope that explanation helps!