Yeah, that’s what I’ve been doing with it. I also really like sending some feedback from the spring reverb back through one of its channels. The Lifeforms Primary Oscillator is a nice partner to it because the outputs of that module can be so wildly different from one another–in this patch I had the pulse out to the low pass, the timbre output (being modulated by the downsampled output) into the center, and a droning note from Dixie into the highpass.
I think I was just trying to make things too complex this week, wanting the system to wow me, and so the patches became too messy and unmusical (for my taste). This was the first one where I sat down and just decided to let things be simple and straightforward, and the result was much better.