Something that I’ve found particularly great, and very easy to do, is to set quarter-note pulses to Trig for a basic clap / hi hat sound, and then modulate the Decay (on the rightmost setting) with an LFO for occaisionall fills and flams of increasing complexity.
Really can’t say enough about the rightmost mode on Decay — the one that keeps the samples from “fading out” so instead of an echoing clap you get a burst of identical samples. Especially with “Spread” turned all the way up so the samples vary across the burst.