Yeah, I’ve drooled over the demo video, it looks amazing. Unfortunately my monome is from the pre-varibright era, so that’s a no-go right?
Besides, I would have no idea how to use it since it’s not a max patch. Does it trigger midi?
I guess I’ll have to make peace with one of the existing apps, since future sequencer apps are most likely to be varibright only. Mark Eats Sequencer comes really close, but it has an issue with receiving sync from Ableton live and (like Kria) it has a MLR-like feature that I’m scared of. Really don’t want to offset the playing pattern by accident. Also, a lot of the features, like swing, mode and tonic, is off the grid in Mark Eats Sequencer.
Is there a Max patch of Kria available? I’ve got WW but have held off doing the swap as I really depend on clocking everything with clicks. I’m sure I could hack my own sync if I could make it live in Max MSP for now.
Since we’re talking about sequencer features… one crucial feature of sequencers that surprisingly few include is the ability to duplicate and then modify a pattern without stopping the sequencer.
that is the only pattern-related feature i have yet implemented in my monome+chuck sequencer.
I am not used to any hardware or software sequencer (except seq24) but it seemed to me something i would need in a live situation: start with a pattern, loop it, then duplicate, modify, switch to new, ad lib.
i’ll mention that orca does it, you can copy a pattern, switch to it, modify, switch back etc etc, all live without interrupting the clock. same for banks (a bank consists of 8 patterns).
this WW feature also caught my eye! In sguenz I’m trying to extend the concept to include a class of operations overdub-copy or appending-copy of ‘grid sequences’ into human-timed ‘gesture sequences’. Makes for some entertaining programming puzzles…
it’s all very exciting and I’m definitely enjoying watching videos of white whale, orca and kria, but for someone who “just” wants to make acid basslines it’s all very much too much. I can appreciate the pushing of envelopes and artistic approach to creating these tools, but what I’m missing is something simpler, at least to use.
take my favorite sequencer which is still molar, and probably what I’ll end up using. it’s so many things crammed into such a small device. it’s a brilliant drum sequencer with velocity, flam, randomize, collapsing and meta sequencing, but it’s also a beat slicer and midi keyboard and so on, so when you use a feature you have to be very careful not to trigger another feature by accident.
I know, I know, I should write it my self. I just don’t have those capabilities.
yeah, well, that was before life caught up with me
I did write a sorry excuse for a M4l patch once upon a time, so it’s not completely strange to me, but opening up more advanced patches still makes my brain hurt.