hey,
I just recently got into tapes and i love the foxtex x28 like so much… it has so much connectivity and the extra mixer section really kills it, also preamps sounds really intense when overdrived…
i wanted to share this sound, just recorded a take here…
recorded the plinky on 2 tracks in normal speed, pitched it down and run it through plinkies shimmer reverb 100%, pitched it up again and played it along the live bd from model samples, running the whole mix through shimmer again with overdrive, creating a feedback…
Thanks to everyone who has contributed to this thread. I have spent quite a while working my way through it and there is a wealth of knowledge here.
I have just picked up a tascam 414 mk2 which I am very excited about! I am really excited to see how i can integrate it into my live and recorded processes. I have also picked up a bunch of 2nd hand ‘used once’ type II cassettes to start playing with. I was surprised at how expensive these go for.
So my questions are:
if i am making tape loops with an experimental/noisy mindset, will type I cassettes be just fine?
Or can i put type II tape into type I cassettes? Then i could make a whole bunch of looping cassettes from 1 type II cassette. I understand there is a notch in the back of the cassette that tells the player which bias/EQ to use.
am i overthinking things and i should just try some things out and see what happens!?!
Looks very nice! Do you perhaps have scematics or build instructions for this? I got my tapedeck modified with a PWM pitch control, but would love to build in a cv input as well. Hope you can help me in the right direction
Thank you very much !
I didn’t took notes for the modification, and it is different for every brand, I modified that one and another I tried different things. Sadly I sold them, so I can’t help you precisely…
I have two other from Sony but I am stuck so I have to scratch my head a bit more.
I recently rescued a Sony TC-W490 from my parents’ house and replaced the belts to get it functioning again. It’s a dual-deck but neither side has 3-heads, so I don’t think it’s useful for setting up tape loops.
Other than just recording audio or dubbing over and over again to get some tape generation loss, are there other experiments I can try?
A question regarding Yamaha MT4X: When playing one side of tape (channel 1 and 2), the sounds from other side (channel 3 and 4) would leaks a little. Those leaked channels are switched off and fader are off too.
Any opinions on most repairable cassette 4-track? Portastudios seem to be most popular so I assume parts are more available but I could be wrong. I’m fairly technical so I’m ok with getting something that requires maintenance but am looking to avoid buying something that breaks and then parts not being available.