i recorded a variation of wide awake for this piece by kyle driggs and sean blue (who i met originally through @instantjuggler on an epic iceland tour).
most of my music starts off as improvisation— this one was first played at expo74 at mass moca, where the timing was much more loose and featured quite a bit more feedback and mlr splatter.
to accompany the film i had to work out a lot of timing and loose synchronization with gestures— something i hadn’t done so much in the past. there’s a balance between landing/matching an audio cue with a visual moment and just letting it be a layer itself.
i cut the second half for the album.