#307

this does ring a bell… so this happens when you save to USB?

#308

So far I did recognize it only if I load a file into teletype. The other way back I did not tested.

#309

so in the scene text it’s negative values but after loading from USB it’s positive?

#310

Correct! So scene text -12 will be 3060 in the teletype for example.

#311

ok i’ll do some testing.

[for future bugs let’s use Teletype 3.2+ feature requests and discussions instead]

1 Like
#312

indeed an old bug: https://github.com/monome/teletype/issues/172
i’ll post in this thread when i have a fix for it.

1 Like
#313

Topic: Loading St8p
If anyone have troubles with loading this scene fully working into teletype, simply remove in script 8 at first line (G.GRP Y; A MUL Y 8;) the last semicolon or add a space. As there is no space directly after it, the complete line will be missed while loading into teletype (3.2).

2 Likes
#314

Topic: 4-track, 16-step trigger/CV sequencer (v3.2)
I already corrected line L 0 3: TR.TIME I 10 to L 1 4: …
Don`t understand the usage exactly. In principle I understood what it should do. Example: Push and hold a button in top row. Adjust a row beneath the CV-amount what should be outputted on CV 1 at this step. Put a clock trigger into TR 1. It should run through all 16 steps and change the CV 1 amount on the one step you have adjusted. Instead it seems that the loop length is fixed to 1. With the two button technic as described from @andrus to change the length of the track it seems that I can only change the one single step which is constantly cycling. Perhaps someone would be so kind to post a short video to understand the two button technic.

#315

without parsing the scene - you should be able to press a key, hold it, then press another key.

that scene was likely done before G.GBTN.C and G.GBTN.X1 etc ops were added - these ops make it easier to detect and use multiple presses.

1 Like
#316

Will try it again tomorrow, but it seemed that it didn`t worked for me correct. Thank you for your hints G.GBTN.C and G.GBTN.X1. G.GBTN.C already did a very helpful job for me :slight_smile: .

1 Like
#317

Topic: morphing faders scene - added LIVE POSITION RECORDER
morphing faders with live position recorder.txt (2.6 KB)

A great scene by @scanner_darkly which shows teletype and grid potential very much. My add-on was at first inspired from the module Catalyst (https://vimeo.com/314062041). As there is some space left in the original morphing faders code I thought it could be possible to add a recorder for the morphing. I realized that it needs also to integrate the Telexi. As it is a fresh built and I only did some tests while programming yet, please let me know if there are any bugs or suggestions for improvements.

Getting started:

The original functions are - beside a changed cv slew control - the same.

TI 1: INTERNAL CLOCK RATE
TI 2: SLEW VALUE [@ TI 1]
TI 3: 0= STOP >0= PLAY
TI 4: 0= REC >0= STOP REC
>0.3= RESET
PARAM + IN: MORPH WHILE REC

IN:
TR 1: MORPHING [OSCILLATING]
TR 6: STEPS THROUGH RECORDING
OUT:
TR 1: CLOCK
@ EXT CLOCK TR IN 6:
TR 2: CLOCK DIVISION BY 2
@ REC:
TR 4: CLOCK

Turn all Telexi knobs to 9 o´clock. Best to use Teletype´s TR 1 out as a master clock source for recording. Switch to pattern mode to get visual feedback at pattern 2. Set the speed with TI 1. Turn TI 3 down to 0 to stop playback. Turn TI 4 to around 12 o´clock to reset 2nd patterns position to 0. Start loop recording by Turning TI 4 to 0. You can twiddle and record the morph position by turning PARAM knob. Adjust slew to your likes with TI 2. Stop recording and reset head to 0-position by turning TI 4 back to around 12 o´clock. Don`t forget to turn back TI 4 to 9 o´clock to release the reset. Turning TI 3 up will start playing your just recorded sequence.

You can also use the scene now as a simple 16-track collective sequencer.

Adding physics to the scene possible?

5 Likes
> teletype : code exchange
#318

great mod! morphing faders is one of my favourite scenes.

1 Like
#319

Thanks a lot for sharing all this amazing stuff. I am trying to understand the code and everything.
I have just one question about this Scene, that I can not find an answer for. What is triggering Script 3? Thanks

#320

huh, looks like script 3 is not used in that scene - i based my scene on @misuba’s scene and i guess when i modified it i replaced the buttons that were using it but left the script itself there.

a lot of these really ought to be cleaned up / documented - in my plans!

3 Likes
#321

Hi!
Thanks for sharing your script!
Im sending a clock to input one but the sequencer is not moving :frowning:
Im probably missing something obvious!
Thanks :slight_smile:

#322

Hi Thopa,

W AND EZ P.NEXT NE P.I - B 1:

A : at the end of a line is against the tt-rules. Delete the :. Should be all what I had corrected - didn`t saved this one in my archive. If this doesn´t solve the problem we need a more detailed look.

But nevertheless please also see my response to this scene a few weeks ago. Couldn´t get all working as intended. If you get it how it works, please let me know!

1 Like
#323

I keep meaning to finish a new take on Pressure Points but I’m a bit distracted right now by a mad quest to turn Just Type into a Subharmonicon… glad the idea has germinated even though my code is janky.

2 Likes
#324

Um… BOTH of your ideas in this 2 line post have caused me to drool on my keyboard a bit…

#325

Before you get too excited, you’ll need a TXi. Adapting for a faderbank would not be hard. Right now I’ve got it setting the base volume for both voices with PARAM and/or IN and looking to A, B, C and D for voltages to subtract for the volumes of the subs… that can probably be improved upon. And you’ll need a shitload of stack cables. But for a starting point:

SUBPAR NONAGON
RIPPING OFF MOOG INSTEAD OF
MAKENOISE FOR A CHANGE

TXI KNOBS CONTROL RHYTHMS
RHYTHMS PULSE TRIGGERS

PATCH TO SCRIPTS 5 & 7 (STACK
CABLES RECD) FOR SEQ 1 & 2

PATN LANES 1 & 2 ARE SEQS
LANE 3 SLOTS 1 & 2: SUBS FOR
VOICE 1
SLOTS 3 & 4: SUBS FOR VOICE 2

DO NOT TAUNT LANE 4

A & B: VOL REDUCTION FOR VOX 1
C & D: SAME FOR VOX 2

SCRIPT 1: CLOCK



#1
M LAST SCRIPT

#2

#3

#4

#5
I N + PN.NEXT 0 12
J - I N PN 3 PN 2 0
K - I N PN 3 PN 2 1
JF.VOX 1 I X; JF.VOX 2 J - X A
JF.VOX 3 K - X B

#6

#7
I N + PN.NEXT 1 12
J - I N PN 3 PN 2 2
K - I N PN 3 PN 2 3
JF.VOX 4 I X; JF.VOX 5 J - X C
JF.VOX 6 K - X D

#8

#M
I O; X ? EQ IN 60 PRM IN
IF ER TI.PRM 1 16 I: TR.P 1
IF ER TI.PRM 2 16 I: TR.P 2
IF ER TI.PRM 3 16 I: TR.P 3
IF ER TI.PRM 4 16 I: TR.P 4

#I
JF.MODE 1; O.MIN 1; O.MAX 16
L 1 4: TI.PRM.MAP I 16 1
M 125

#P
12	64	4	10
1	1	1	1
0	0	0	0
63	63	63	63

5	0	2	0
0	0	5	12
7	0	3	19
0	0	6	24
4	0	0	28
0	0	0	31
0	0	0	34
0	0	0	36
0	0	0	38
0	0	0	40
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0
0	0	0	0

#G
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000
0000000000000000

0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0
0	0	0	0	0	0	0	0	0	0	0	0	0	0	0	0

I’ve got plenty of room left, shockingly, so I might add some grid controls for convenience, but what’s here is pretty fun to play with. I don’t have exact feature parity and I’m not convinced it’s gonna be practical to get it, but I’m also not very interested in it? I wanna see whatever hybrid nonsense we come up with.

Does this even make sense

3 Likes
#326

This sorta makes sense, but like most things in this forum, it’ll take me a bit to grok.

Lucky for me, I’ve got the TXi just waiting for some good use. I don’t have a lot of stack cables so it might wait a little for that. But dang, this is cool.