I just wrote this for my user profile, so I may as well add it here:
I’m really interested in the complex, non-repeating textures of outdoor soundscapes. In much of the music I make, I try to capture, simulate and represent a particular relationship with these textures. I try to combine this with other interests: choral timbres, an increasing preoccupation with low volume and space; signal morphing and gentle melodic structures.
If that seems vaguely interesting to you, you may enjoy hearing some of it:
I’ll try to follow up on some links other artists have left here, as well.