Idk what it is about Batumi… I keep trying to find a replacement, thinking I can go without it… It just keeps coming back. I cant do anything without it. It keeps me hostage with its slidery goodness.

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Frames for sure. I struggled with whether to get the full sized version or a Plancks for quite a while until I decided that this module would likely become an important centerpiece and was worth dedicating the space and getting better control of it. I’m glad I did; it’s well worth the hp and it’s one of those modules that seems limited only by your imagination. I really love using it along with Compare2 as a drum sequencer, sending Frames’ offsets to the shift and size inputs to create several different rhythms and scanning through them.

I would like to hear what this sounds like!

Grains.

In/Out.

ModSeq.

Here’s a blobby, unformed snippet of some recording last night while I was trying to come up with synth parts to go along with some rhythms. Thankfully Frames can save states between sessions so I’m still trying to create a song with this patch. Compare 2 is getting fed two outputs of a channel of Batumi and I’m manually scrubbing between a couple frames and the sweet spots that formed in between to create the chorus/verse sections. The snare is the only drum not triggered by C2’s logic outputs, it’s triggered by a clock multiplier running from the same channel of Batumi.

https://soundcloud.com/smbols/framescomparebeat/s-swfdw

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I really like the off-kilter, shuffle feel that you get from the Compare 2!

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Ansible is indespesible for me. It’s one of the main reasons I still have a eurorack setup going.

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The Chronoblob by Alright Devices really makes things work for me. The sync delay feature alone is very good, but when you start using it with things like euclidean rhythms or random triggers you get into undefined territory pretty fast.

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am this close to buying a Rampage kit… i should stay away from this topic :smiley:

Wait… Er… what magic is this???

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The zoom function is changed with the expert firmware. One of the slider in zoom mode allows you to attenuate the LFO :slight_smile:

Glad I kept mine. I’ll need to change firmware, is it painless?

Yeah it’s easy, you just get it from the official website and there’s everything you need. http://xaocdevices.com/main/batumi/

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Triple Sloths for me. In every patch I end up sticking it all over the place, sometimes I just stick it in random empty cv inputs :sweat_smile:
It’s great to send gates into the cv inputs for (sort of)clocked, slow, chaotic modulation as well. It’s such a crucial module for me, it breathes life into any patch it touches.

(edit) It’s funny reading all the love for Batumi. I tried to replace it a few days ago with another modulation source. Within 24 hours it was back in its rightful place…

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Came here to post this. I never patch without ol’ Trips.

Special mention goes to Rampage, for which I recently traded. It has so much to offer!

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I don’t often hear mention of the Erica Synths Swamp module, but it’s one of my favorites. It’s a DIY random CV/audio generator, and it’s pretty special. In a way, it’s kind of like a Wogglebug, or the Turing Machine, in that it outputs a random stream of CV, but it doesn’t really have locking or repeating. It’s hard to describe, but there’s two oscillators that interact with each other, which generate audio as well, plus an input which does ring modulation with the generated audio. So there’s three CV outs, and three audio outs that all have different character. The rate of change, range of variation, and clustering of randomness can all be controlled with dedicated knobs. And then it can all be clocked, so the changes are in time, with clock division controlled by the big knob. You can even CV that as well.

It took a while to wrap my head around it, but I find that I use this module constantly, sometimes to add a bit of subtle variation to patches, other times to inject changing audio to a percussive low-pass gate or to mix with another effect. Unlike other random sources, it has a bit of wild character that takes on a life of it’s own. And as a DIY kit with excellent instructions, it was fairly easy to build. I highly recommend it, and it’s definitely that “one little module” for my taste.

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three sisters. somehow it finds its way into everything, either as a harmonic voice or ultimate sound shaper over a patch.

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Three Sisters is just absurdly flexible. It’s a must-own if you don’t need a lot of mixing capability. The mixer/filter paradigm needs way more exploration.

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That one little module for me is not an exciting one but definitely a useful one. Its the Doepfer A 129-3. Its a single module with 5 attenuator/offsets. Its my finesse center. A common place for knob tweaking and controlling various parameters throughout the modular in a single location.

https://goo.gl/images/u3BZCw

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That’s a nice module. But quite a tease, those haven’t been in production in a looooooong time :frowning:

Also, what’s going on with that slew input? Does it slew all five cvs equally?

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