So I’ve been doing modular for just about a year, which means couple of things:
(a) I’m starting to get my arms around how I like to work, what I want to do, and more or less how to get the sounds in my head to come out of a pair of speakers
(b) every now and then, a very basic tenet of modular will just knock my socks off. Like a bolt of Obvious Lightning, I’ll realize that one can use VCAs to amplify control voltage and not just audio. So simple, so obvious, so life-changing.
Switching has been a major (b) moment in my life over the past month or so. I thought I’d share my favorite setup.
I love taking an oscillator or two, multing it to a bunch of different processors, and then routing those into the Synapse. Then, using a lane in whatever sequencer is driving the oscillators to send gates into Synapse’s scatter input.
I monitor any two of the individual outs, and set them up as a stereo pair. A lot of the time, I’ll send them into a VCA before that, and let a couple channels of Zadar repeat, so that the stereo pair kind of throbs and breathes.
Synapse can crossfade between the two inputs per channel, which adds another layer to the sonic sandwich. Leaving some of these inputs empty creates some breathing room.
When this setup shares a clock, it can be really magical in this “same but different” kind of a way. I dunno. I love it.
(as usual, many thanks to @jwm for turning me on to ye olde switch)
https://www.instagram.com/p/CJ_3BAohCON/?utm_source=ig_web_copy_link