@stripes, getting one also opened up serious questions for me about FX and IRL mixer aux. i’m pretty green when it comes to owning hardware instruments and so i’ve actually just been routing a few outs from the modular into Live, setting two channels for each input – a ‘sends only’ and an unmonitored/muted dry. by routing the BAM as a recorded send channel, it gets 100% control over the signal and i’ve been using the wet/dry knob on the unit to try to achieve legibility.
revisiting a session recorded the other night, i started reintroducing the dry takes with heavy subtractive EQ to sculpt the definition a bit more, but because the mostly wet BAM recording was providing the tonal base i feel like i got something that I never could have found if it was simply a parallel aux.
long story short (god this ran long i’m so sorry), i want to find a way to route everything through the BAM and then use dry signals as an effect for it, you know? it’s too good.