That Perfourmer! I really want to check one of those out. I’ve exhausted YouTube. :wink:

What pedalboard is that? Been thinking about a similar setup with a standard keyboard stand underneath it, my desk space is very cramped right now even with a 6U 60HP case.

pedaltrain pt-3.

modulargrid now has a pedal option–you can find the dimensions of your case (and other stuff) and create private “pedals” to figure out the board arrangement and size.

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The doggie is key :heart:

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2 posts were merged into an existing topic: New to eurorack: ask questions here

My little bedroom space :nerd_face:

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How do you like the Lyra? I got to try it for a minute a year ago and really liked it, but I’m always on the fence about picking one up. Not that I could afford one right now anyway…

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I like it. I can get a bit burnt out on it’s typical whale call type sounds, but it’s capable of a lot more with a bit of digging.
For example sending it Gates and cv and playing with its FM can make some really cool unexpected rythyms.

I also really like its delays and distortion, it’s fun sending random things thru it.

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Kitchen counter studio thread

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that has to be one of the prettiest uprights I’ve ever seen!

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What’s the midi controller (?) under the norns?

Customizable controller from Yaeltex!

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bedroom studio

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Something to be said for messy studios. German poet Friederike Mayröcker in her corner studio.

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I’m really happy to announce that we finally have pt.3 online!
The latest episode features lines members @polyoptics and @vito_mf and it’s about using a space for both work and music. Check it out here:
http://www.horizontalpitch.com/2018/10/modular-spaces-pt-3-work-music-balance/

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:exploding_head::heart:

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com-optimize

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Really intrigued by that small skiff and what you got in it, if you don’t mind :eyes:

Also the interview made me wonder if you have any module that has use in acoustics or something like that? That’d be a rad architecture-modular symbiosis for sure…

as someone married to an acoustics consultant, this module doesn’t really exist. impulse responses are generated by balloon pops, sine sweeps are generated in software, captured by specialized mics, analyzed and recreated in ambisonic or waveform synthesis environments for demo. alternately, designs are modeled and rendered out for analysis and comparison. this is all software.

if you think of a module like Elements, which does model an exciter and resonator, more or less “a space” - it’s plainly a creative, expressly musical tool and would only transfer to an acoustics setting in the most creative projects. this is maybe as close as you get before you have to send audio to DSP for real-time (or rendered) auralization.

not that there isnt potential, there is just no crossover that i can see. diff topic maybe?

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