@veillance This would be interesting for the Mixing/mastering thread! What about we move the discussion there?
Potentially also relevant to this thread on improving the signal chain.
thanks for sharing this unique approach
Reduced a bit the modular side (feels good). Still not really tiny…
I’m thinking of giving up my desk at a shared studio after realizing that, after one year there, I’ve yet to compose a single minute of music at my desk. My entire output has been from things I’ve worked on at home!
So, trying out a tiny little studio, in one corner of our loft; so far this already feels right.
Do you use those sticks to play your guitars?
Sometimes! They’re good for striking the strings past the bridge or nut, and especially great for exciting the body of the guitar.
But lately I use them more with a contact mic for triggering events in the modular and plucking resonators
what are the gold and pink panels?
The latest. The Retro Mechanical Labs came today and it’s beastly so far. That and a Res EQ is instant noise bliss.
I call this mess the “Shelf Studio”
My tiny studio, in the latest incarnation. I made a rack to hold recording gear below the desk on casters. Feeling excited that I can sit at this desk.
nice plant
My mess. I thought about tearing everything out and starting over again, but I’m waiting on a sit-stand desk so I figured I would just wait until it arrives. Kinda glad I have a tiny studio as compared to many here as it’ll make everything easier to reassemble.
What are your thoughts on the Argon8?
I’m still learning how to program it effectively. But it’s a unique take on a poly. This review and the accompanying sound sketches convinced me it was the type of instrument I was looking for.
Oooh, how do you like the KT-2A?
I use it mostly for vocals, it’s really helpful, adds some texture, some evenness, helps hide my lack of technique. I sometimes use it for keyboards too, and it just adds some nice flavor.
I’m really jonesing for an x-pan; I bet it’s great with morphagene and magneto!
