That’s cool to know! Makes me consider how I could refine my multitracking approach, which is right now just an ES-9 into Ableton. The number of tracks is just the tiniest bit limiting sometimes. I haven’t set up more than a basic template because I don’t always have the same number of stereo vs mono parts and if I’m recording anything in stereo I’d rather it be folded into one Ableton track. Now dreaming of what it would be like to have enough free inputs that I could reserve 8 or 12 of them for stereo stuff!

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With just intonation, minor scale changes can have a profound effect.

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Today my small discovery was that sending a modulator through an attenuator and mute switch before the carrier’s exp fm allows me to instantly switch between two different “voices” (pre & post fm). Fun performance patch!

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Today I rather joyously constructed a gestural resonator patch in op-1 which feels favourably like my favourite Rings/Dunst/Mikrophonie/PressurePoints patch in modular.

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That sounds awesome! Mind sharing how you did it?

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