#127

Yeah digital precision for very precise cutting. To me Le Jad nailed the sound of the samples/tunes. its a classic rundown of your usual suspects sounding great…this might be good for adventurerers. The stereotor record is a bit crazy because its panning wildly in sync to the beat. And its blue and i payed a bloody fortune on usps :joy: i love it!

There are quite a lot of french battle records that i prolly neglected.

1 Like
#128

I had two 1200s and a mixer until I had a kiddo, at which point space became an issue. So, I sold 'em. I’ve been thinking about a one-turntable approach for awhile, like looping a couple measures at the end of a track and using that to provide cover while you get the next piece beatmatched, and then fading over.

Anyhow, while watching too many turntable/looper videos, I came upon this one, which is faaaarrrr beyond anything I could ever accomplish, but it’s sure is nice to have a distant point on the horizon to head toward.

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#129

There’s a Wire mag invisible jukebox with Laswell where he bitches about working with Fela Kuti and how he played out of tune. Not the greatest look imo.

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#130

I did the same, although I managed to keep 1 up until this year when it became a choice between my remaining 1210 and mixer or a PT01 Scratch and an MS20 Mini. I only had space for one option so the MS20 won. Zero regrets so far! The thing is: I have friends who are so absurdly good that, even if I were to keep my 1210s, I’d still prefer them to do any cuts I needed recorded for anything. I’m 1/4 of a group with 3 incredible scratch DJs - I handle all the music and they do the rest. It definitely plays more to my strengths than trying to keep up with friends who compete globally and practice for hours and hours each day.

The first person I ever saw using a loop pedal was Radar:

It’s not as hard as you think to put it together - especially with DVS - but the skill is in the timing of hitting the looper… and doing it on stage in front of a crowd!

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#131

Holy shit - that’s mindblowing!

#132

My only audience consists of my other instruments. :slight_smile:

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#133

Yeah i had a brief stunt with my ditto looper and turntables. I wanted to prepare a live show where i had like 3 samples/rekkids ready with pitch indication, eq settings noted down and wanted to speed live composition up. The ditto is quite fun because you can erase your last take but not the one before that :smiley:so making decisions wether this recording was good enough came into play as well. I‘d start with a thourough loop, sometimes eqd down to a bassline. When i‘m hitting knobs in precise timing i sort of dance/groove around. This is horribly wrong when you try to pattern scratch a bassdrum while hitting the pedal full force with your foot :joy: i couldn’t get a fast workflow like this, i was thinking that i‘d need a lot of practice or maybe someone that recorded (hit in/out) my performance—-so big respect to the DJs that can do that live! I‘m very fast with the same pedal and a guitar. And i have not tried out the looper function on my MPCLive yet.

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#134

That’s a very useful function! I never got around to grabbing a loop pedal but that’s the kind of facility I’d want! I have done a couple of live performances with other DJs and the amount of practice it took to get the timing right for just a short set was exhausting. Huge respect to people like Ned Hoddings/Rock Hard Bastards etc. who did that sort of thing almost exclusively.

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#135

The ditto is great in that aspect-cheap-easy-sounding good and you can export tracks via mini usb :flushed: after the performance. There‘s even an advanced ditto which i dont really know the difference to the basic model…

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#136

Damn, I just googled the price and hadn’t remotely realised how cheap they were!

I’m not sure if people know about this yet, but this is a video of my friend Ric (who is also part of Phonobrow - the group I’m in). He’s demonstrating the Button Box which offers the functionality of a Vestax Controller 1… and then some!

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#137

Bit of a necro bump here, but as I’ve been working on a bunch of turntable/scatching-adjacent stuff that has somewhat inspired me to get back into this.

I’ve not really touched a proper turntable in a couple of years now as the inspiration/motivation I had at the start of this thread got swallowed up by a really tumultuous couple of years where I had little time or energy for new creative pursuits.

Where I left it last was using my oldschool PT-01 with a shitty velcro’d on passive crossfader, but in having some google-ing around, it looks like a lot of stuff has happened in the world of portablism since.

I’m specifically thinking about and looking at the Reloop SPIN, which looks like a great all-in-one solution. And there are some crazy mod/options out there for it:

Anyone have any experience with the SPIN and/or developments in the world of Portablism in the last couple of years?

1 Like
#138

I’m not qualified to comment on this beyond the following - I bought the updated PT-01 (Scratch!) and it does everything I ask of it. I scratched records for about 13 minutes on it, which was fun. Now I use it mostly to sample, which it does perfectly well.

That Reloop looks super nice.

1 Like
#139

Hehe - you got 13mins more than I did (I’ve not actually used mine for anything yet, but it remains my “main turntable”)

The key thing in the world of turntablism is my friend Andy’s invention, the SC1000:

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#140

Well I bit the bullet and have this sitting in front of me now:

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Had a tiny play with it before setting out to work this morning and even though it obviously feels different from a snare, it doesn’t feel massively alien, which is a pleasant surprise.

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#141

it’s so great seeing all of this turntablism!

just adding a…kinda different approach:

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#142

This looks like fun:

Nevermind kids, I want to record stuff to vinyl and then resample it.

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#143

Wow, I’ve wanted something like this for basically forever. 100% getting one assuming no :clap: extenuating :clap: circumstances :clap:.

Thanks for putting this on my radar :slight_smile:

edit: not to mention I love gakken! I built their little analog synth forever ago.

edit 2: point of clarification, that’s not my blog linked, just the best source of info I could find in english :slight_smile:

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#144

Just bought this (I live in JP) — I’ll share results when I get it. Thanks for sharing!

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#145

Will definitely order one of those as soon as they are available in the US or appear on ebay. I had the older gakken version that cut to plastic.

Also, just to add to this thread. I consider myself a turntablist. The turntable is a great instrument if you choose to see it as one. Modulation, pitch control, gating/triggering ect ect all done manually. For learning the technical side of scratching youtube is your friend. Plenty of how to’s.

Here are a couple improv/compositions from the Groove of Satyre guys.



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#146

Mr. Henshaw’s contribution to the last TGOS record appeared in my shuffle the other day and I was intending to dig out the rest of the album but had forgotten about it. Thanks for the reminder!