#21

my track mobilephone rec + reverb

https://soundcloud.com/user-941288896-491859901/evayo-disquiet0266

2 Likes
#22

I love how a lot of these tracks remind me of the eerie score from 2001: A Space Odyssey.

EDIT: Turns out that score is is “Ligeti’s Atmospheres” as mentioned by @ikjoyce!

1 Like
#23

Glad to hear the drums because I had to resist the urge to add them at every step.

1 Like
#24

I’m a big fan of Ligeti. Got to see 2001 with live orchestra and choir last year, and will be seeing Ligeti’s Atmospheres performed on Friday, can’t wait!

2 Likes
#25

Agreed, every turn was NOT adding something needed! With my strict adhesion I paid the price :wink: Next time I will give in to the darkside, BWAH HA HA HA HA…

2 Likes
#26

back again with a quick one. stuck to the no processing and mono recommendations in the description…it was really hard to not add a bunch of effects :slight_smile:

https://soundcloud.com/matthewsimonson/mouth-vowels-disquiet0266

  • recorded vowels with a shure sm7b
  • put each note into a sampler in ableton
  • did the thing where you make the LFO randomize the sample start, so that i’m starting in a new place on the sample every trigger
  • made a disjointed rhythm by taking the loop length of each midi clip and making them all different (3 beats, 5 beats, etc)
  • added M4L LFO to some of the samples sustain and release to make each line a little more varied
  • called it a day
4 Likes
#27

Breath First

https://soundcloud.com/neurogami/breath-first-disquiet0266

I sang the sound of an “Oooo”. Then chopped it into varying segments, trying to capture parts that differed in texture. These were then used to make a Renoise instrument (there were five different notes, including the full take, which appears at the start of the piece and again later on.)

The first version had some clicking sounds owing to how the original wav was cut. It sounded OK but I felt it introduced an overly artificial element. So I rounded-off the wavs a bit to remove the clicks. The pulses still remained, which is what I was aiming for.

2 Likes
#28

I never listen to any tracks made for a project before having finished my own, cause I usually want to find my own interpretation of the rules. And this week, like so many before it, I find that my own interpretation is way more restrictive than others have found…
So “no fx” as laid out in step 5, meant that most of my usual tricks (like time-streching, pitch/fequency-shifting and variable playback speeds) were useless… Instead I had to rely on me being able to sing something in one breath that had all the content I wanted. And to make matters worse: I’m a terrible singer…
https://soundcloud.com/duckpow/at-a-loss-for-titles-disquiet0266
I set up my mic anyway and took a few takes of me holding some nondescript vowel. I chopped it up into several small pieces and began making rythms. The drones were done using multiple shortloops of the same clip layer on top of each other. The clap-like sound is some accidental background noise, that is heavily amplified.
As a final step I fed it all trough my analog mixer and did a light mixdown adding a slight bit of EQ and reverb.
To my mind, that final reverb ended up being the only ‘fx’ on the entire track.

3 Likes
#29

Well that was fun, but also a little painful. Added a bit reverb.
https://soundcloud.com/rudzupuke/buff-tailed-bumblebee-disquiet0266

2 Likes
#30

glad i’m not the only one who found it painful :wink:

2 Likes
#31

Always enjoy your videos. As someone who can barely make the weekly deadline and has also edited too much video, I don’t know how you do it! But we are glad you do :slight_smile: Cheers!

2 Likes
#32

i went for ‘uh’ because i have a kind of faith in uncertainty & hesitation.

I squashed it down to mono which seemed to hollow out the noise which don’t find appealing but, hey, a learning experience, i guess.

3 Likes
#33

Thanks! Video is a ridiculously fiddly medium but Ableton Live’s handling of this media makes it a bit easier but also a bit frustrating when it crashes while exporting.

There’s a paradox with video though: one wants to show where the sounds come from but gets an impression that viewers don’t listen as closely.

2 Likes
#34

The letter 0, split mostly into beginning, middle and end. Just layering and volume changes as said in the instructions. The good thing is this pushed me to learn some new stuff, for example I made many more tracks than I usually would so that I could do more layering, so then it become more convenient to put things into groups (in Abelton) which I haven’t really done before.

https://soundcloud.com/user-696185036/o2-disquiet0266

2 Likes
#35

https://soundcloud.com/ohm-research/zurfi-disquiet-0266
The source material for this piece is a 20 second sample of my voice recorded on my phone, then processed through a Mutable Instruments Clouds module.

2 Likes
#36

Because of this Junto, I bought “Stay tuned” from Machinefabriek. I am a big fan of his work, but I always was hesitant to buy that album… no regrets at all! Nice 50 minutes drone

2 Likes
#37

It’s funny you say that, with music videos I like to listen while working and then watch later. With vlogs or podcasts I am not as picky :slight_smile: Exporting video can be brutal!

#38

I started my work on this project with the information from the email-notification, which said that this week´s Junto involves singing, or making sounds with the voice. When I listened to other contributions, I noticed that I had apparantly missed out on one particular piece of information - the part about the held vowel…
Well, my piece of music does contain a held vowel, one I used repeatedly to bring silence into this mash-up, and I hope this will do.
Usually, I do not like my voice…but I liked the idea of everybody involved listening to each other

2 Likes
#39

https://soundcloud.com/daniel-diaz/om-disquiet0266

I started singing couple tracks of “O” but I realized that, during decay I was closing my O vowel with a nasal sound, like an M, then on following tracks I went straight to the cosmic-mystic Om. So I plead guilty of using a syllable instead of a vowel. Here I am to be convicted by a jury of my peers…
Recorded Saturday morning on the road somewhere in Argentina, with my laptop and a AKG 451 microphone locked in my room while outside an apocalyptic tempest raised. Tall trees fell, along with electric and telephone posts. So a full blackout followed, here I am online again…

8 tracks recorded, one used octave down pitch shift, the other 7 are “natural” albeit with some melodyne to tale pitch wobbles during sustained notes.
One dense convolution reverb used (10 seconds)
No eq, no compression.

I sang C major notes randomly over a click track, so the harmonies are really hazardous.
Love

DD

2 Likes
#40

Me too - I have always loved the tune up at the beginning of an orchestral concert (and sometimes between pieces, particularly with period instruments!), so this is right up my street.

3 Likes