renegog
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the video of my flash crash performance from yesterday, which shows the same patch that I used for this entire album. The only major difference is that I played the last voicemail i received from my grandma, about a year ago, shortly before she passed. She was my moms-mom and in preparing for this flash crash set, I was thinking about the silly sweetness of that birthday message, and about how I don’t have any recordings of my moms voice — who also passed around this time of year, 7 years ago now. Looping my grandma’s voice through thyme was one of the things that inspired me to make this album — although I ultimately decided to save the voicemail for the FC performance.
@Jet the process of making this was approximately 2 hours on a saturday afternoon. I was supposed to be flash crash practicing but it suddenly felt like i had a lot to say so i pulled out norns and hit record. Tracks 1& 2 are actually seamless, i simply chopped them directly at the moment where i pressed the “half-speed” on Thyme. (I also reloaded the scene in teletype so nothing carried over from the previous track). “seals” is the most different, because I incorporated DFAM (though the high gain input on mini-drive) which I was clocking from teletype. “unsealed”, “redolent”, and “skin” were also all recorded together (reloading teletype at transitions, or during the track), and I think the transitions are mostly pretty close to being seamless/as recorded — although here there was a little bit of finagling to make the song lengths perfect
but the transitions are fairly true to how they were recorded. Also everything was recorded in what ended up being the final album order.
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