1657
1658

Just ordered this 12". Two beautiful, skewed tracks from Carers. Described as ‘Rubix cube electronica from Sheffield’.

https://soundcloud.com/carers/easter

1 Like
1659

1660

Found this while researching amplified copper plates for an audio/visual project I want to do next year.

1 Like
1661

a guitar, a Mellotron, an OP-1 and a great voice (great album too)

4 Likes
1662

Why had I never heard this before today? Damn!

3 Likes
1663

Dmitry Evgrafov - Tamas

6 Likes
1664
1 Like
1665
4 Likes
1666
1 Like
1667

New album from pioulard on the belgian label Dauw.

2 Likes
1668

Various Harold Budd recordings on shuffle.

1 Like
1669

machine girl. frantic jungle/juke stuff, normally this kind of thing isn’t really my bag but this album is super fun

1 Like
1670

can’t get this outta my head

https://www.youtube.com/watch?v=KKaSmL6xXkk

10 Likes
1671

Killer album on Workshop from last year that took me by surprise:

2 Likes
1672

thank you so much for this recommendation…listened to the whole album today, just magical

1 Like
1673

Just stunnnnnnnning, wow

1 Like
1674

Eliane Radigue’s Feedback Works 1969-1970. Wish there was a CD of this available.

8 Likes
1675

https://soundcloud.com/john-beltran/faux

4 Likes
1676

“In 1963-64 I used to play records both too slowly and too fast and thus changed the quality of the music, thereby, creating new compositions. In 1965 I started to destroy records: scratch them, punch holes in them, break them. By playing them over and over again (which destroyed the needle and often the record player too) an entirely new music was created - unexpected, nerve-racking and aggressive. Compositions lasting one second or almost infinitely long (as when the needle got stuck in a deep groove and played the same phrase over and over). I developed this system further. I began sticking tape on top of records, painting over them, burning them, cutting them up and gluing different parts of records back together, etc. to achieve the widest possible variety of sounds. A glued joint created a rhythmic element separating contrasting melodic phrases… Since music that results from playing ruined gramophone records cannot be transcribed to notes or to another language (or if so, only with great difficulty), the records themselves may be considered as notations at the same time.”

7 Likes